Here inside the atom 93 BPM - 4/4 Ambient/Electronica Woodwind/Reed
hand diagram
This mid-tempo Ambient/Electronica Performance presents an ethereal spacey atmosphere reminiscent of the musical output by Space Music artists such as Jonn Serrie & Michael Stearns. It consists of a suitably electronic/synthetic drum groove with KARMA pitch-bending and a touch of delay, a busy resonant synth bass pattern with velocity controlled filter and delay effects, a random-note synth pattern (Synth 1) driving a "multi-wave" voice (where several different wavesamples are triggered according to velocity level), a second, more sparse multi-wave synth pattern with KARMA pitch-bending (Synth 2) which works with Synth 1 to create an ethereal "particle-dance" effect, and a rhythm-randomized synth strings chord stab pattern (Synth Comp) with KARMA panning. A matching electronic drum kit fill with synth toms provides different fill variations on the Fill button.

Two different polyphonic soloing experiences are provided in the RH area, contolled by A.Sw2: a mellow atmospheric english horn timbre with vibrato (A.Sw2 = off), and an acoustic piano with an evocative ooh-voice pad layer behind it (A.Sw2 = on), with the damper pedal only latching the piano elements. A.Sw1 drops them both by an octave for a lower soloing range. The A.Switches are not set to be stored in the scenes, so they can be freely toggled on and off at any time without scene changes affecting them - so you'll find the english horn lead in all scenes.
Left Hand: Synth motion pad with slow phaser*
*No phaser on MOX version
Right Hand: Mellow vibrato english horn (A. Sw2 = off)
Acoustic piano/voice pad (A.Sw2 = on)
Split Points: * B2/C3
Motif Arps/Special Notes
  • Two Motif arps can be added as additional elements: Pads 9 to 12 trigger a synthetic ethnic-bell pattern (panned right), while Pads 13 to 16 trigger a staccato pan flute pattern (panned left) - both of which have ascending scale steps based on the last-played chord and can be layered on top of each other.
  • If you'd like the scene changes to change the lead sound, turn on the "Assignable Switches In Scenes" checkbox under A.Sw2 in the Real-Time Controls page.
Pads 1-8 1 2 3 4 5 6 7 8
Chord Progression: C Min7 C Min6 Bb Maj7 E Min7b5/Bb Ab Maj7 D Min7b5/Ab G Min7 C 7th/G
Pads 9-16 9 10 11 12 13 14 15 16
Arp1: Ethnic bell, Arp2: Pan Flute Arp1 (root) Arp1 (2nd) Arp1 (3rd) Arp1 (4th) Arp2 (root) Arp2 (2nd) Arp2 (3rd) Arp2 (4th)
Exclusive: Ex1, Scene Change Ex2, Scene Change
KARMA Module 1 2 3
Instrument: Drums/Perc Synth Bass Synth 1
GE: 04/077 05/078 01/093
GE Name: Two Step 1 Chaser 3 Random Mallets
Category: Drum Bass Pattern Arpeggio
RTC Model: DP1 - Drum/Perc 1 GV1 - Gated Vel/Pat 1 CL1 - Comp/Lead 1
KARMA Module 4 5 6
Instrument: Synth 2 Synth Comp Fill-Drums
GE: 01/093 05/027 03/124
GE Name: Random Mallets House Piano Machine Fill-PopRock 2 [s*]
Category: Arpeggio Chord Rhythmic Drum
RTC Model: CL1 - Comp/Lead 1 GV1 - Gated Vel/Pat 1 DF1 - Drum Fill 1
MASTER LAYER
RT Controls Modules Name Function
1 2 3 4 5 6
Switch 1: x           Rhythm Multiplier [1] Multiplies the rhythm of the Drums/Perc by 200% (half-time)
Switch 2:   x         Rhythm Multiplier [2] Multiplies the rhythm of the Synth Bass by 200% (half-time)
Switch 3:     x       Note Doubling On [3] Activates a harmonic doubling of the notes for Synth 1
Switch 4:       x     Note Doubling On [4] Activates a harmonic doubling of the notes for Synth 2
Switch 5:         x   Time Signature [5] Changes the time signature for the Synth Comp from 4/4 to 8/4, lengthening the phrase
Switch 6:     x       Octave [3] Transposes the octave of Synth 1
Switch 7:     x x     Note Inversion On Adds inverted notes to the phrases of Synth 1 and Synth 2 (watch in the Data Display)
Switch 8:         x   Octave [5] Transposes the octave of the Synth Comp
Slider 1: x x x x x x Rhythm Swing % Varies the swing feel for all six Modules
Slider 2: x   x x     Rhythm Complexity Varies the rhythmic complexity for the Drums/Perc, Synth 1 and Synth 2
Slider 3:   x x x x   Duration Control Varies the length of notes for the Bass, Synth 1, Synth 2 and Synth Comp
Slider 4:   x x x x   Velocity Accents Varies the level of certain notes for the Synth Bass, Synth 1, Synth 2 and Synth Comp, increasing or decreasing the general activity
Slider 5: x           Alternate Drum Map Selects one of many alternate mappings for the Drums/Perc
Slider 6: x           Percussion Pattern Selects one of many percussion patterns for the Drums/Perc
Slider 7:     x x     Velocity Randomize Varies the randomization of note velocities for Synth 1 and Synth 2, influencing the overall density and complexity of the phrases
Slider 8:         x   Rhythm Randomize [5] Varies the randomization of rhythm activity for the Synth Comp, influencing the activity of the phrases
Wheels Function
Pitch Bend on the RH lead sounds
Mod (CC01) Vibrato on the RH lead sounds
Tone 1 Knobs Modules Keyboard IFX/ MFX Controller CC# Function
1 2 3 4 5 6 LH RH
Knob 1:     x x x         Filter Cutoff 74 Controls filter cutoff on Synth 1, Synth 2 and Synth Comp
Knob 2:     x x x         Resonance 71 Controls resonance on Synth 1, Synth 2 and Synth Comp
Knob 3:   x               AEG Attack 73 Controls amplitude EG attack time on the Synth Bass
Knob 4:   x               AEG Decay 75 Controls amplitude EG decay time on the Synth Bass
Knob 5:   x               AEG Sustain 31* Controls amplitude EG sustain level on the Synth Bass
Knob 6:   x               AEG Release 72 Controls amplitude EG release time on the Synth Bass
Knob 7:                   Assign 1 16 Controls the amount of reverb on
Knob 8:                   Assign 2 17 Controls the amount of delay on
For an explanation of how these parameters relate to different Yamaha Models, see the Tone 1 Knobs Reference. *AEG Sustain is SysEx for XS/XF (no CC).
Other Controllers Modules Keyboard IFX/ MFX CC# Function
1 2 3 4 5 6 LH RH
A. Switch 1:               x   86 Transposes the RH lead sounds down by one octave
A. Switch 2:               x   87 Switches the RH lead between two different polyphonic sounds (not stored in scenes):
off = vibrato english horn, on = acoustic piano/voice pad
Ribbon:   x               22 Modulates the filter and resonance on the Synth Bass for some interesting sounds
Damper:             x x   64 Latches the LH motion pad, and the piano element of the RH lead when A.Sw2 is on
Scenes (Master) Description
Scene 1 (simplest) - synth bongos create a coconut-like ethnic pattern, single synth bass notes every 8 beats, with the synth comp taking center stage by playing an arpeggiated 16ths pattern, while synth 1 is muted and synth 2 does sparse wave-sequency sounds with bend; high-pitched synth snare and toms fill with tight repeats
Scene 2 (simpler) - synth congas and shakers increase the energy, synth bass doubles up, synth 1 takes the focus with a hypnotic doubled line, while synth 2 adds some very occasional notes with bend and synth comp tosses in a few sparse notes; synth toms and snare fill with slowly rising pitch-bend
Scene 3 (simpler) - synth hi-hats are added to the conga and shakers, synth bass adds a third note to the pattern, synth 2 takes center stage with a cascading echoing kaleidoscopic effect, while synth 1 and synth comp inject short random pitches; synth toms fill with pitch-bend
Scene 4 (simpler) - synth kick added to the percussion and hats, synth bass does a much sparser variation of the startup scene riff, synths 1 and 2 essentially move to the startup scene variations, while the synth comp only adds a note here and there very occasionally; synth toms and snare fill with bend
Scene 5 (startup) - atmospheric synth drums and perc groove with a busy insistent synth bass, synths 1 and 2 creating an interweaving "particl-dance" backdrop while the synth comp interjects string chord stabs at random timings; randomized synth toms and snare fill
Scene 6 (busier) - drums pick up the energy with some backbeat hits, bass line goes to a busier variation, synths 1 and 2 both have their patterns "doubled" in harmony, while the synth comp jumps up an octave; randomized synth toms and snare fill
Scene 7 (busier) - drums add more synth percussion, bass line moves to a driving 16ths pattern, synths 1 and 2 both use "Index Inversion" to create a kaleidoscopic effect, while the synth comp stabs some fat clusters with pitch-bend; spare synth toms and snare fill with multiple tight repeats
Scene 8 (busiest) - arpeggiated pitch-bend on the drums, an echoing synth bass line with pitch-bend, synths 1 and 2 play intertwining four-note clusters while the synth comp plays long stabs with pitch-bend; syncopated synth toms and snare fill with panning and bend