Stephen Kay Stephen Kay

Developer of KARMA Technology

Other articles/links:

Videos of Stephen Kay demonstrating the Korg OASYS and new Korg M3

The making of the Korg OASYS
Keyboard Magazine, April 2005


KARMA Comes Around - the story of the
development of the Karma Workstation
Keyboard Magazine - April 2001


Philadelphia Inquirer - August 2001

Mix Magazine - February 1998

More Articles/Reviews/Press

Karma Lab president Stephen Kay has an extensive background as a professional musician and composer. He started singing and playing the piano at age seven and was classically trained as a child. Since then he has played in just about every musical situation you can think of, including rock bands, show bands, jazz fusion bands, piano bars, recording studios and cruise ships. His compositions and recordings have appeared as themes for world-wide NBC sports programs such as Wimbledon and the French Open. He has sampled and edited the waveforms of symphony orchestras for a collection of sounds for the Fairlight Series III; he has traveled extensively world-wide as a product demonstrator for KORG.

Right: demonstrating the Korg Karma in Tokyo, Japan 2001

Stephen Kay in Japan
Prog Rock Band Tears He is old enough to remember when his keyboard setup (which he lugged around to various gigs) included a Hammond and Leslie, Clavinette, Rhodes 88, Yamaha SY-2, ARP String Ensemble, and 2 customized ARP 2600s, not to mention a 32-step analog sequencer (oh boy!)

Left: original prog-rock band "Tears", circa 1977 [larger]

Always fascinated with the more technical aspects of making music, a long list of gear has since passed through his hands (and bank account!)

(below photo by Chris Johnson)
He is perhaps well-known (to a few at least) for having created some of the wackiest and well-received factory demo sequences in the Musical Instrument Industry, often using algorithmic computer generated musical effects. Among the many products which shipped world-wide with his sequences installed are the KORG M3, Karma, Trinity, 01/W, i-Series, X5DR, 03R/W, and the Alesis QuadraSynth (v2). These sequences, which have convinced tens of thousands of people around the world to lay out their hard-earned cash for various keyboards and sound modules, can be listened to from the Product Demos section of Kay's Media Gallery.

Right: Personal Studio and R&D Center 2001
Studio and R&D Center 2001
Stephen Kay
After receiving two U.S. and Japanese patents for features on the Korg i-Series that he developed in Opcode’s Max (now a Cycling '74 program), Kay was seduced by the evil lure of computer programming and has since become a proficient C/C++ programmer. Not to mention HTML, PHP, Flash, and others. He now has no life. Since 1994 he has been developing the algorithmic music technology named KARMA®, which stands for “Kay Algorithmic Realtime Music Architecture”. Over the past several years, KARMA has been awarded 9 US Patents, with more pending in the US and abroad. Several products incorporating the technology have been released, with more on the way. The award-winning Karma Music Workstation was released to critical acclaim in 2001, Korg's flagship synth OASYS was released in 2005 and continues to maintain its status as the world's most impressive and expandable workstation, and the new Korg M3 Workstation was released in 2007 and is rapidly becoming the "workstation of choice". The newer products incorporate an even more advanced version of KARMA Technology.

Left: Stephen Kay with the KARMA anime poster
Kay has also released standalone PC/Mac software versions of KARMA for several products that do not incorporate the technology internally, notably the Korg Triton series and the new (2009) Korg M50.

Most recently, in January 2009 Kay announced a new partnership with Austin, Texas-based Open Labs Inc., a maker of high-end computer production musical instruments, to include “KARMA OL” Software on each of their new Generation 5 instruments.

More information about KARMA:
KARMA FAQ
KARMA Software
KARMA WIKI



Jan-2005: KARMA Developer Stephen Kay is featured in the new book "The Art Of Digital Music", which offers interviews with 56 "visionaries and insiders."